Mandalasm

Mandalasm
Mandalasm

Another early painting, in around the year of 2002. I was realising at this moment in time, I wasn’t really an aspiring artist at all, but felt the urge to communicate ideas, whether that be to myself or to anybody who was interested. My endevours in painting and drawing were largely a private affair, although I wanted to develop a skill to improve a communication in form to what I wanted to express in ‘physical reality’. I was thinking that the images I wanted to reproduce from my mind’s eye, were in fact, essentially ‘mirrors’ to my own ‘self’. On the surface, this may seem quite self-indulgent, but there were deeper meanings to all of this seeming tomfoolery.

Alongside the ideas of Freud and Jung, I was reading and researching a fair amount into the realms of Shamanism. I was also dipping my toe into the realms of Hinduism and finding parallels between modern psychology, Shamanism, Hinduism, Buddhism and Western religious traditions, which also included pagan traditions.

Although, a relatively simple concept, ‘Mandalasm’ was created with the idea of a mandala, from both Hindu and Buddhist traditions. The ‘abstract’ design, or symbol which separates the two faces in Mandalasm, is my own spontaneous representation of a mandala, which according to Jung, represents the ‘state’ of one’s own ‘inner’ psyche. The psyche strives for balance and the ego, which most of us can only identify with at a conscious level, is only a fraction of a part which contributes towards the psyche’s striving for balance, although the ego must recognise all parts to become balanced, which for the ego, is like searching to look at the back of one’s head without a mirror.

The two face entities in this painting represent ‘guardian angels’, who, although are two separate entities, are one entity, who are one, but separate at a frequency. The entity or entities are female and represent a nurturing and caring quality, but also possess a darker side, which includes a freedom to explore, whether to one’s peril or growth.

I personally, experienced these female entities, in my mind’s eye on several occasions in my youth while learning certain activities and they came into my mind’s eye at an intensity before making a choice for learning which would disturb my psyche and put it out of balance for a long time to come, which would force me into a position to face my fears and demons, when I may not have been ready at that stage in my life, although when is an individual ready? At this moment in time, an interest in Shamanism shed more light, on a universal dilemma. An archetype of a paradoxical nature which consisted of exploration and wonder, but also of warning and trepidation.




Shamanic Shadows

Shamanic Shadows

‘Shamanic Shadows’ was another early painting, since making an effort to learn painting techniques and striving for a realism to convey surreal, unconscious, inner images and ideas. This painting was my second painting following Space Baby and painted around the end of December 2001.

I was already familiar with Freud’s concepts of the unconscious mind and his model of the ego, id and super-ego which I observed or extrapolated in the workings of my own mind. Of course, the human personality and mind cannot be restricted to a simple model, but I found the ego, id and super-ego a good starting point to understanding the links between tensions with almost opposing separate personalities contending for expression within us all in unique ways, differing from individual to individual, dependent on personal experience and environment.

I was heavily into Jung’s idea which extended from Freud’s ideas. I was extremely interested in Jung’s concept of the collective unconscious and the archetypes, with what Freud’s concept of ego, id, super-ego was – an expression of the archetypes emerging from the collective unconscious which may appear in different forms from the individual, all the way to the cultural level.

In Shamanic Shadows, the ego is represented by the figure emerging between the two figures either side of the ego. The figure on the left, represents the id, with it’s instinctual nature, intuitions, animal drives along with ancient knowledge and/or wisdom, collected throughout time since the dawn of evolution. The figure on the left, represents the super-ego, containing cultural, societal influences, rules of society, social norms and so on. The super-ego can be quite brutal in some, causing a conflict within an individual. The super-ego contains what is learned through one’s environment and culture. If the super-ego wields too much power, this will be at the expense of the other entities, the ego and the id, although an imbalance in any of the three entities can cause havoc in one’s psyche.

At this moment in my life, my own super-ego possessed far too much power, as represented with the colour red. I was in the process of balancing out my own inner entities and to transfer the power of the super-ego to the ego and to give my id less restriction with it’s own drives and expression, although free reign to the id can also lead to undesirable situations which I was later to find out.

The other motifs in the painting have a meaning also, or a meaning I discerned after painting this picture, with the planet Saturn representing a ‘protector’ entity and the mountains to the left representing a source of power which had an ambivalent nature – a force to be used for either creation or destruction.

The ‘ego’, of course is the human-being’s sense of who they are, or sense of self and if the id and super-ego wander around the psyche without the awareness of the ego, or unconscious of these entities, many problems with the individual can result, which can be observed with conflicts with individuals and collective societies, which we can observe with conflict in history, up until the present day.

Conflicts, whether individual or collective, have their beginnings in the psyche. Peace is also found or created in the same way.




Space Baby Buddha

The Space Baby Buddha was one of my first paintings after deciding to make an effort to learn more about painting. I hadn’t drawn or painted very much at all since leaving school in 1989. I decided to pick up my pencils to develop my drawing ability and learn how to paint, as my experience with painting was very limited at this time in 2001 – twelve years later.

Around this time, I had been reading into topics including Buddhism, Hinduism, Jungian Psychology and material of an esoteric and occultism nature.

I experimented with Jung’s idea of active imagination and the Space Baby Buddha appeared to me, in my mind’s eye. I wanted to give the Space Baby Buddha form, so proceeded to paint him using acrylic on a piece of board.

After finishing the painting and looking at it, I noticed I had unwittingly painted an assortment of symbols which seemed to relate to a ‘mandala’ theme. I had painted night and day, or light and dark, along with ‘good’ and ‘evil’ and four elements surrounding the Space Baby. The Space Baby seemed to represent a ‘timeless’ wisdom and although appearing as a young child, the Space Baby was also an ancient entity, embodying a ‘pure’ wisdom.

At the time, I remember finding my own intuition and listening to what it would say, instead of what I had done before and to ignore intuition completely. Prior to discovering intuition was in fact a real function of our being, I denied it’s very existence and didn’t believe intuition existed in reality. In the painting, intuition is represented by the green orb within the gold cross on the Space Baby’s crown.

After reading Jung’s theory of the collective unconscious, I developed a clearer understanding of the entity and other entities which had and would emerge from my unconscious mind, leading on to a further understanding of what may be hidden within in our minds.




Tattoo Design – Human, Chimp & Computer – Draft #3

Tattoo Design – Human, Chimp & Computer – Draft #3

Sketching and drawing a tattoo design which is the third design to show the person (Daz) who wants the tattoo designed for him. The theme is take from Steve Peters’ concept of Chimp, Human and Computer, from his book, The Chimp Paradox. Other themes will be employed also, including personal motifs, personal to the person who wants the tattoo. At this stage, a tattoo sketch or drawing is produced to give some ideas.

If you enjoyed this video, please like and share. 🙂

Subscribe: www.youtube.com/dramamask2011
Website: www.dramamaskevolution.com

Music by Angel Rust.

Thank you for watching and if you have any comments, please post them below. 🙂




Tattoo Design – Human, Chimp & Computer – Draft #2

Tattoo Design – Human, Chimp & Computer – Draft #2

Sketching and drawing a tattoo design which is the second design to show the person who wants the tattoo designed for him. The theme is take from Steve Peters’ concept of Chimp, Human and Computer, from his book, The Chimp Paradox. Other themes will be employed also, including personal motifs, personal to the person who wants the tattoo. At this stage, a tattoo sketch or drawing is produced to give some ideas.

If you enjoyed this video, please like and share. 🙂

Subscribe: www.youtube.com/dramamask2011
Website: www.dramamaskevolution.com

Thank you for watching and if you have any comments, please post them below. 🙂




Creating A Tribal Tattoo Design

Creating A Tribal Tattoo Design

Tribal Tattoo Design – Human, Chimp & Computer. Speed Drawing.

Sketching and drawing a tattoo design which is the first design to show the person who wants the tattoo designed for him. The theme is take from Steve Peters’ concept of Chimp, Human and Computer, from his book, The Chimp Paradox. Other themes will be employed also, including personal motifs, personal to the person who wants the tattoo. At this stage, a tattoo sketch or drawing is produced to give some ideas.

If you enjoyed this video, please like and share. 🙂

Subscribe: www.youtube.com/dramamask2011
Website: www.dramamaskevolution.com

Thank you for watching and if you have any comments, please post them below. 🙂